CV
Zhao Jiajing works across acousmatic music, live electronics, sound installation and new media. He uses space as an expressive medium to explore embodied listening and how technology shapes the worlds we sense and inhabit.
Recognition
FOMO selected to represent the ISCM British Section at ISCM World New Music Days; ISCM Young Composer Award nominee.
Aesthetica × Audible × LCC, “The Listening Pitch” Commission Prize; PSeME, Third Prize; MUSICACOUSTICA-HANGZHOU, Third Award; S3DAPC, Bronze Prize; Musica Nova, Finalist.
RCA × LG Display LUMINOUS Art and Design Competition, Third Prize.
Education
PhD researcher, University of the Arts London (CRiSAP); “Ecological Approaches to Spatial Music Experience”.
MA, Information Experience Design (Sound Design), Royal College of Art; dissertation awarded Distinction.
BA, Music and Digital Cultures, The University of Sydney.
Selected presentations
ISCM World New Music Days, Bucharest; ICMC, Hamburg; Festival Supersonique / GMEM, Marseille; IN-SONORA, Madrid.
Ars Electronica, Linz; ZKM Hertzlab, Karlsruhe; ICMC, Boston; ORF musikprotokoll, Graz; SICMF, Seoul; Shanghai International Arts Festival; IRCAM Forum, Paris.
Barbican Centre, London; Musicacoustica, Hangzhou; Spatial Audio Gathering, Leicester.
Selected works
Omniopticon; Naiad (revised).
FOMO; Drifting Voices; A(nother) Trip to the Moon (film soundtrack).
Durée; Glitchopolis; Trembling Chamber (with Zhang Wenxin); Time-flux.
Teaching
Visiting Lecturer, MA Designing Audio Experiences, University College London.
This is a selected CV. The complete CV is available upon request via email.